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Glastonbury map, showing parking. Please don't park around The Tor.
Didjeridu or Yidaki
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Playing - Titch and Tim's Didj TipsBasic DroneWithout using your Didjeridu:
Now take your Didjeridu and place your lips against the mouthpiece. Do this gently, you do not need to push your lips against the Didjeridu very hard. You only need to create a seal. If you push too hard you will eventually make your face sore (No kissing for you for a while then). It does not matter if you put the centre of your mouth on the Didjeridu, or like Tim does, use one side of the mouth. Whatever feels most natural for you, is fine. Now try to repeat the exercise above with the Didjeridu. You may find to begin with, the sound you make is like, what can only be described as, a farting sound. Once everyone has stopped laughing, keep trying, and believe me, eventually you will create a 'drone'. Keep practicing until you are able to consistently create the 'drone'. Do not try to learn anything else until you can, as this is the basis for playing the Didjeridu. Circular BreathingIn principle, circular breathing is very simple, but is a technique which takes a little acquiring, simply because you are trying to 'un-learn' a lifetimes habit. The habit being, you either breathe out or in, you do not try to do both at the same time, well, more or less. Here is an exercise to help you to learn. You will need a straw (not a bendy straw) and a bowl of water. I will wait for a moment while you find them.
Circular breathing with droneYou know this is not going to be as easy as it sounds, don't you?All you have to do is combine the 'Drone' you have learned to produce, with your new circular breathing technique. Of course it is not going to be perfect first time. But just keep practicing and you will get there. And, it's really great when you do it for the first time. Varying ToneThere are five basic methods to vary the tone of your Didjeridu.
Cheek bellowing is what you do to achieve circular breathing. If you are able to circular breathe, you will have noticed the change in tone of your Didjeridu already. With practice you will be able to bellow your cheeks without changing the tone. Tongue movement also changes the tone you create. Try moving your tongue to the back of your mouth and then bring it forward to just behind your teeth. You will notice the change. Also just let your tongue play around inside your mouth, to hear other Didj delights. Jaw movement creates quite noticeable changes in tone for what appears to be a small movement. Drop your jaw but not too much so that you break the seal with your lips, and not so that you separate your lips, then slowly close your jaw until your teeth are touching. The really interesting thing about these different methods is they produce a different quality in the change of tone. Try combining the various methods, you will discover that your Didjeridu is capable of producing a wide variety of amazing sounds. Have fun. Air flow is simply how hard you blow. Blowing harder will cause your lips to vibrate faster and therefore cause the frequency to increase. When you have given the above some practice, the next best thing is just to play your Didjeridu and experiment. If you usually sit to play your Didjeridu, try standing up, so that you are free to move about. It really does make a difference for some people. Don't forget there are lots of web sites to find more ideas and Didjeridu music. Try our links. Ooops, nearly forgot. The sound of the Didjeridu is great for Shamanic trance work (obviously, someone else
will have to play if you are journeying).
Oh yes, and finally (honest), do look at the 'maintenance' page because your Didjeridu is the sound of
creation, like 'Om', 'Beth', and 'The Big Bang'.
Enjoy !! |
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